|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
![]() |
|
|
|||||
|
|
|
|
|
|||||||||||||
|
|
|
|||||||||||||||
|
Questions
& Answers
|
|
|
|
|
||||||||||||
|
|
|
|||||||||||||||
|
|
|
|||||||||||||||
|
Subject:
Help, my base drums wont talk to each other...!!!! Hey Tommy, I have another tuning question for you Tommy (sorry mate but people just want that sound you got). I was just wondering about how you get two large base drums to sit comfortable with each other tone wise. I have two 24/16 inch base drums. I am finding it hard to get them to match in sound and feel wise. I have listen to people like yourself and the great Louie Bellson and your drums always match each other, how do you achieve this...??? One more question, what is your opinion on players like Louie, He was the inventor of twin base set up did you ever listen to any of the Jazz players when you were growing up.??? Thanks for any answers you have to share Tommy. Graham.
|
||
|
Hi Graham, It's almost impossible to get 2 similar drums to sound similar. It sounds funny but it's true. It's always a struggle to keep my kix sounding alike. Even tuning to the same note is no guarantee. Don't know why one always sounds cooler than the other:o) All I can suggest is to make sure they are identical in every way, i.e.., tuning, head, muffling, pad...etc. As for Louis Belson...I've met Louis but wasn't aware of him when I was younger. I only came to appreciate him after having met. In fact, Joe Morello was my inspiration to become a drummer. His solo on 'Take Five' mesmerized me as a kid. Still does:o) Thanks again
Graham and God bless. |
||
|
Subject:
talk (drum) shop Hello, Tommy
Aldridge Are their
advantages of using smaller size toms or is it all personal preverence
? |
||
|
Hi Dennis, I use an assortment of crashes including the 20" med thin you mention. It's obviously not as fast as a smaller crash but that's one of the characteristics about it I like. It also has a longer decay and a lower tone. I use it in instances where there is some space for it to build and sustain. As for overtones, it's not an issue as I don't ride on it. I have 2
sets of toms w/all my kits. Live I use 12-14-16-18. None of them being
square. In the studio/smaller venues I use 10-12-14-16. Smaller drums
ALWAYS sound bigger. They have more 'cut' and I find them easier to tune.
The larger setup is for aesthetics only. Hope this helps. Have fun in
your search for that new kit! Thanks again Dennis and God bless.
|
||
|
Subject:
Tuning/new remo powerstroke 4 Dear Tommy
hello I am a big fan and I would like some advise on tuning. Although
I have been playing for some time I have yet to capture that fine tom
sound that you have or the thunder bass drum sound.What tuning methods
can you recommend for me on toms to fl toms.I use coated ambassadors on
the tops and clear ambassadors on the bottoms of my toms and pinstripes
for my kick batters.Also I know you used powerstroke 3's for your kicks
in the past but have you tried the 4's and if so, can a coated powerstroke
3 or 4 be as effective as a clear powerstroke ? Sorry for all the questions
Tommy but if anyone can give me a straight foward answer it's you,I just
don't want to spend a bunch of money on new kick heads and be dissapointed.....Thanks
tommy god bless.....Tony,Denver,Co........
|
||
|
Hi Tony, If you will check out the Q&A section I answer a question similar to yours from another gentleman. It is so tough to verbalize tuning but I will try. I start w/my 1st tom and tune it to the sound I like..see what I mean?:o) I am not going for any specific note but just a sound that I like...lots of body w/plenty of thud but w/sustain as well. All I want is everything:o) I then determine what note it is (or as close as possible) and tune the other 3 toms in descending 1/4 notes. I tune the bottoms as closely to the tops as I can. I use no dampening on any of the toms. I do use a DW BD muffle in the kicks. I also use my signature Danmar wooden beaters w/a falam pad. I really like the P3s so I've not tried the P4s but on your recommendation will. As for the coated vs clear...I prefer clear heads on everything. I really prefer Ambs on the toms but just can't get enough time out of the them. Consequently I use Emperors...on the snare batter as well. Thanks again
Tony and I hope this helps. God bless.
|
||
|
Subject:
Bicycle commuting and drumming Hey Tommy,
I really dig the new site and I've been following your career since the
Black Oak days. Anyway, I recently had to make the switch from playing
bass to playing drums full time for one of the bands I play in. I 've
been playing drums on and off for alot of years, which is whenever I can.
I ride about ten miles one way to rehersals and depending on which bike
I ride,either my fixed gear w/no brakes (track bike) or an off road single-speed
w/freewheel. My "fixy" is much faster, but I notice my stamina
behind the kit is less because of all the output energy of riding to practices
on the thing. My question is, does this or have you ever experienced this
yourself being the rider that you are? Steve |
||
| Hi
Steve, Thanks for checkin out the site. I appreciate your taking the time. Riding a fixed gear is great for your spin but I am sure you already know that. I often ride on days that I am performing but I have to be careful not to get carried away. Need to leave a little in the tank for the show. I don't play in a jazz trio so my gig is definitely an aerobic endeavor. I've made the mistake of putting in too many miles before a show and it's not fun. Nothing worse than goin out there being a big show-off and runnin outta gas:o) If I plan my same-day workouts properly I find that they enhance my playing. I am a firm believer that cycling is one of the best excercises for drumming. I just don't get tired behind the kit. Thanks again
Steve. Keep riding/playing and God bless. |
||
|
Subject:
Sound Quality - live performances
|
||
| Jack, Thanks for checkin out the site. I appreciate your interest and support. As for the live sound...I'll give you a quick run-down on the gear. Mind you, it's not what I was using on the album you reference. I don't remember what mics and such were used at that time. I was, however, using Yamaha gear and Remo heads which is where the 'sound' starts and had the same philosophy in regards to 'my' sound. I currently use a custom Yamaha kit which is essentially maple absolute but w/the small maple cus lugs and w/5ply shells instead of 6. I use clear Remo heads all 'round w/ambassadors on the tom bottoms and emperors on top. I use the clear emp on the snare batter and ambassador on the bottom. P3s on the kix w/falam pads and my signature DanMar wooden beaters. I use full heads on BD fronts but with 6 small vent holes near the edge. May mic/sys except on the snare which is mic'd on top and bottom w/Shure 57s. I use Shure Beta 52s in everything else. Yes I know, they are commonly used only in the BDs but I like large diaphram mics...they sound best. I also use the Beta 92s in the kix in combination w/the 52s. As for overheads/hats, I leave those to the sound guy and they all seem to have their own preference. The sound quality you refer to is dependent on many components. Most important of which is the kit itself. You can't polish a turd...so if the kit doesn't sound good there's not a lot that can be done to change that. A really good sound guy can minimize the frequencies of a bad sounding kit and maximize any good frequencies but that's a really struggle and a compromise at best. I've always been blessed w/talented out-front sound guys and have relied on their expertise to maximum whatever sound source I provide them with. As for sound check... The sound was established early on in rehearsals. We go to the venue and run 2-3 tunes so the sound guy can make any necessary adjustments for whatever acoustic environment he has to deal w/and that's about it. I hope I've answered your questions. Thanks again and God bless. Tommy |
||
|
|
Subject:
Drum Heads
|
|
|
|
Mike, Thanks for your interest and support. I use Remo heads...Clear Ambassadors on the tom bottoms w/clear Emperors on top. Use a clear Emp on the snare drum batter and Diplomat snare head. Use P3s on the kix. It's really impossible to 'describe' tuning. Please forgive me but I don't know how to /describe/quantify pitch, tightness, etc. verbally or rather in writing. Thanks again and God bless. Tommy |
|
|
Subject:
Double Bass
|
||
| Peter, Thanks for checkin out the site. I appreciate your interest and support. As for double bass practice... Like anything of substance there is some diligence required. I would suggest practicing a figure at a slow to med tempo but concentrate on playing it for say 5-10mins. If you get tired or it starts falling apart just slow it down a few BPMs. The most important thing is to get some 'duration' in. Don't be concerned about the tempo just being able to play consistently w/o getting tired. As you get stronger start increasing the tempo but only in small increments and then the duration. Be patient and diligent and I promise you'll start getting results. Don't give up 'cause I'd like to hear you play someday. Thanks again and God bless. Tommy |
||
|
Subject:
keeping fit
Tommy... First off I'd like to thank you for being a huge inspiration. I last saw you with Ted Nugent in Camden, New Jersey and Hershey, Pennsylvania and your playing was incredible. Now on to my question; What do you do to keep in shape as far as diet and workout routine? I'd like to build my endurance and speed but I'm almost afraid weight lifting would slow down my playing. Thanks, |
||
|
Mike,
Thanks for checkin out the site and for your words of kindness. I appreciate your support. As far as conditioning... It's always been important to me and as I get older it's even more so. I do quite a lot of cycling. There is some muscular specificity to cycling/drumming. I travel w/one of my road bikes but when I don't have the time or I am in an area that's not conducive to cycling I run. When conditioning is good drumming is never a physical challenge. I
don't smoke and not much of a drinker. I also do isometrics but no weight
lifting. Not that weight lifting is bad I've just never used it. It
certainly hasn't slowed Bobby Rock down:o) Thanks again Mike and God
bless. |
||
|
|
Dear
Tommy hello I am a big fan and I would like some advise on tuning.
Although I have been playing for some time I have yet to capture that fine tom sound that you have or the thunder bass drum sound.What tuning methods can you recommend for me on toms to fl toms.I use coated ambassadors on the tops and clear ambassadors on the bottoms of my toms and pinstripes for my kick batters.Also I know you used powerstroke 3's for your kicks in the past but have you tried the 4's and if so, can a coated powerstroke 3 or 4 be as effective as a clear powerstroke ? Sorry for all the questions Tommy but if anyone can give me a straight foward answer it's you,I just don't want to spend a bunch of money on new kick heads and be dissapointed.....Thanks tommy god bless.....Tony,Denver,Co........
|
|
|
|
Hi
Tony, What's shakin? Thanks for checkin out the site. I appreciate it. If you will check out the Q&A section I answer a question similar to yours from another gentleman. It is so tough to verbalize tuning but I will try. I start w/my 1st tom and tune it to the sound I like..see what I mean?:o) I am not going for any specific note but just a sound that I like...lots of body w/plenty of thud but w/sustain as well. All I want is everything:o) I then determine what note it is (or as close as possible) and tune the other 3 toms in descending 1/4 notes. I tune the bottoms as closely to the tops as I can. I use no dampening on any of the toms. I do use a DW BD muffle in the kicks. I also use my signature Danmar wooden beaters w/a falam pad. I really like the P3s so I've not tried the P4s but on your recommendation will. As for the coated vs clear...I prefer clear heads on everything. I really prefer Ambs on the toms but just can't get enough time out of the them. Consequently I use Emperors...on the snare batter as well. Thanks again
Tony and I hope this helps. God bless.
|
|
|
All
Content © Tommy Aldridge, Norcraft
Design 2002
|